Lexical Summary apeleutheros: Freedman Original Word: ἀπελεύθερος Strong's Exhaustive Concordance freeman. From apo and eleutheros; one freed away, i.e. A freedman -- freeman. see GREEK apo see GREEK eleutheros NAS Exhaustive Concordance Word Originfrom apo and eleutheros Definition one freed away, i.e. a freedman NASB Translation freedman (1). Thayer's Greek Lexicon STRONGS NT 558: ἀπελεύθεροςἀπελεύθερος, ἀπελευθερου, ὁ, ἡ, a manumitted slave, a freedman (ἀπό, cf. German los (set free from bondage)): τοῦ κυρίου, presented with (spiritual) freedom by the Lord, 1 Corinthians 7:22. (In Greek writings from Xenophon, and Plato down.) Topical Lexicon Term Overview Apeleutheros designates a person who has been released from slavery and now enjoys the legal status of a free citizen. Although it appears only once in the Greek New Testament, the word encapsulates a rich tapestry of social, historical, and theological motifs that illuminate the Christian doctrine of liberation in Christ. Old Testament Background While the specific Greek term is absent from the Hebrew Scriptures, the underlying idea of a slave becoming free resonates with legislation such as the Year of Jubilee (Leviticus 25:10) and the release of Hebrew bond-servants after six years of service (Exodus 21:2). These statutes foreshadowed a redemptive rhythm in which God restored dignity and inheritance to those once bound. New Testament Usage 1 Corinthians 7:22 is the single canonical occurrence: “For he who was called in the Lord while a slave is the Lord’s freedman. Likewise he who was free when called is Christ’s slave”. Paul juxtaposes earthly and heavenly statuses to underscore that conversion redefines identity. The slave who comes to faith remains socially constrained yet possesses spiritual freedom; the free person who believes voluntarily submits to Christ as Lord. Thus, apeleutheros functions as a theological counterbalance, ensuring that no believer boasts in external circumstance. Historical and Cultural Insights In first-century Greco-Roman society, freedmen occupied an intermediary class. They could own property, engage in commerce, and even amass considerable wealth, yet typically bore lingering obligations to former masters and carried social stigma. Paul’s deliberate adoption of the civic term would resonate in Corinth, a cosmopolitan hub filled with former slaves seeking enfranchisement. His rhetorical twist—calling an earthly slave “the Lord’s freedman”—elevates the marginalized while simultaneously humbling the socially privileged by labeling them “Christ’s slave.” Theological Significance 1. Union with Christ: Freedom hinges not on civil status but on belonging to the Lord (Romans 6:22). Related Concepts • Doulos (“slave”)—the counterpart emphasizing total submission. Pastoral and Practical Implications Believers wrestling with social limitations—economic, racial, or legal—find in apeleutheros a reminder that ultimate worth springs from divine adoption, not human appraisal. Conversely, those enjoying civil liberties are called to consecrate their autonomy to Christ’s service. Congregations therefore cultivate mutual honor, dismantling hierarchies that contradict the gospel. Connections to Christ and Redemption Jesus embodies both facets of the term: as the liberator who proclaims “freedom for the captives” (Luke 4:18) and as the servant who lays down His life (Mark 10:45). In Him, the once-enslaved become heirs, and the free learn true obedience, fulfilling the prophetic vision of a community purchased and emancipated by grace. Summary Apeleutheros, though a rare word, captures the essence of Christian identity: freed from the bondage of sin, believers now stand as citizens of heaven, yet willingly bind themselves to the Lord who freed them. The term therefore anchors a theology of liberation that is inseparable from loving servanthood. Forms and Transliterations απελευθερος απελεύθερος ἀπελεύθερος apeleutheros apeleútherosLinks Interlinear Greek • Interlinear Hebrew • Strong's Numbers • Englishman's Greek Concordance • Englishman's Hebrew Concordance • Parallel Texts |